‘Dying … to Connect’: Postdigital Co-presence in Dead Centre's <i>To Be a Machine (Version 1.0)</i> (2020)

نویسندگان

چکیده

This article proposes to address the tension between digital co-presence and embodied spectatorship inaugurated by pivot online hybrid forms of (post-)pandemic performance through lens postdigital. The term is developed as a way accounting for complex mediatized performer audience in representative example this genre, Dead Centre's To Be Machine (Version 1.0) . As its theoretical framework, brings together concept ‘postdigital performance’ (Causey) with central element liveness spectatorship. It puts forth hypothesis that constructs postdigital sense characterized blurring lines virtual spectatorship, temporal real-time interaction remote audience, an increased emotional alignment lieu physical proximity.

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ژورنال

عنوان ژورنال: Theatre Research International

سال: 2023

ISSN: ['1474-0672', '0307-8833']

DOI: https://doi.org/10.1017/s0307883322000396